Tag Archives: art

Field Trip: The Georgia O’Keeffe Exhibit at the Peabody Essex Museum in Salem, MA

Field Trip:  The Georgia O’Keeffe Exhibit at the Peabody Essex Museum in Salem, MA

I went on a field trip last week to the Peabody Essex Museum in Salem, MA to see Georgia O’Keeffe:  Art, Image, Style.  I heard this exhibit was coming way back in May on the Thread Cult podcast.  It was exciting because the exhibit isn’t just about her paintings, but also contains her clothing, some of which she sewed.  I had a free pass to the museum and I saved it just for this show.

Georgia O'Keeffe at the Peabody Essex Museum in Salem, MA

Georgia O’Keeffe is not one of my favorite painters, but having studied art, and now applying my artistic side through making clothing for myself, this exhibit sounded exciting to me.  I certainly wasn’t disappointed.  I loved it.  The funny thing is, it wasn’t the paintings that I loved or her exact clothing style.  I loved seeing the two together with images of her by various photographers, seeing her tiny, tiny stitches, seeing how she created her own style.  I’ve never read a biography of Georgia O’Keeffe, so I don’t know what her personality was like, but going through the exhibit gave me a sense of someone who found out what she liked and quietly went with it (feel free to set me straight in the comments if she was loud and dramatic or something).

Georgia O'Keeffe at the Peabody Essex Museum in Salem, MA

Because sewing has become my own form of creative expression, I was moved to see how she created her own style that exemplified who she was…and she did it at an amazingly high skill level.  The miniscule and beautiful stitches, pintucks, and mending on her clothing was wonderful to me.  She sewed her clothing by hand!

Georgia O'Keeffe at the Peabody Essex Museum in Salem, MA


Georgia O'Keeffe at the Peabody Essex Museum in Salem, MA

These tiny lines in the fabric are pintucks–small folds of fabric that she created and stitched down by hand.

Georgia O'Keeffe at the Peabody Essex Museum in Salem, MA

Garments shown above are all believed to have been sewn by Georgia O’Keeffe.  These pictures really cannot convey the beautiful and precise hand stitches she used.

The exhibit was divided into two parts–before she went to New Mexico and after.  Sewing wasn’t her main mode of expression, and as she went on in her career, she started to have others make her clothing, but even when she wasn’t sewing for herself, she used her apparel to express who she was.  It wasn’t a loud explosion of color or attention-grabbing fashion.  She quietly found her style and stayed with it, but when you see her fashion choices in the time after she began visiting New Mexico, things start to feel very contemporary.  Some of the clothing she was choosing then is what people wear every day now.

Georgia O'Keeffe at the Peabody Essex Museum in Salem, MA

These garments weren’t sewn by Georgia O’Keeffe.  The styles are still in vogue today.

It wasn’t about being sexy, grabbing attention, or screaming at other people to follow her.  It was just about what she liked.  And you know what?  We are following her.  The show ends with a recent Dior fashion show that has numerous elements obviously inspired by O’Keeffe.

There is something really compelling about someone who quietly does their thing.  I’m tired of the loud and blustery.  I’ve done it, but I think I respect this more.  Even if my take on this show isn’t a clear and accurate picture of who she was, it certainly caused me to think.  It’s ok to carve out a unique path in fashion and in art.  It doesn’t have to be overly sexualized, because we’re more than that as people.  It doesn’t have to be loud to be compelling.  It doesn’t have to be in-your-face to make a difference.  Sometimes quiet diligence is what prevails.

This exhibit is showing through April 1, 2018.  You can see more pictures of the exhibit at the Peabody Essex Museum’s website as well as on my Flickr page.


  • The Peabody Essex Museum has an excellent gift shop.  They have all sorts goods related generally to art and specifically to their exhibits, currently including black hats as that was a distinctive item of apparel that O’Keeffe adopted in her New Mexico years.  I found my own black hat that really felt like me.  Fashion and art take courage because both involve putting yourself out there.  I’m going to wear this until it doesn’t feel awkward any more, because I LOVE it.

Georgia O'Keeffe at the Peabody Essex Museum in Salem, MA

  • O’Keeffe was influenced by the writing and art of Arthur Wesley Dow, which reminded me of how much I love his work.  Some of his landscape paintings and his use of color really stop me in my tracks.
  • Since we were talking about fashion, I really like some of Dansko’s ankle boots lately.  Comfortable and good-looking!

Outside (and Inside) in October and November


Well, my friends, I have two new sewing projects and one new knitting project waiting in the wings to share with you, but…I’ve been missing photography.  It feels like things are moving quickly…and I want to slow down just a bit.  I’m finally settling in to the fact that it is fall, and I don’t want it to race by without really looking at it.  Being outside always helps me get grounded and I love, love, LOVE taking pictures of things outside (and, in this case, in greenhouses), so here are my best shots from October and November.  There aren’t many, but hopefully they are good.


Horses on the beach

Horses on the beach


Trees in Autumn

Trees in fall

Mill Building and Dam

Mill building and dam

Trip to a Greenhouse

Plants in the greenhouse

Trip to a Greenhouse

Plants in the greenhouse

Trip to a Greenhouse


I think missing photography has been a good thing for me.  A few months ago, a friend introduced me as someone who had a sewing blog.  I was momentarily surprised, until I realized that my nebulous “creativity blog” had morphed into a sewing blog.  I love to sew.  I love making creative things that I can use, but I also love things other than sewing, photography being one of them.  I don’t have the technical knowledge of photography that I do of sewing.  Past photo classes have seeped out of my brain, but living in this beautiful place makes it easy to capture things.  So I think that, for the present, this blog will have a lot of sewing, but also some non-sewing photography.  We all need beauty in our lives, and photography helps me to stop and look.  I hope it brings beauty into your life, too.


Joseph Had a Little Overcoat


I don’t make much menswear (yet), but when I saw the exciting announcement that Thread Theory was opening an online supply shop for menswear and general sewing materials (which is now live), I got to thinking about children’s books with sewing in them.  Morgan (the owner) said that she was stocking one such book, and I suggested one of my own favorites:  Joseph Had a Little Overcoat by Simms Taback.

Joseph Had a Little Overcoat by Simms Taback

Joseph Had a Little Overcoat by Simms Taback

In our house, we have a lot of children’s books…but they don’t all belong to my children.  Most of them do, but a few are mine and can only be used with permission.  These are books with illustrations and/or stories that I love for various reasons.  When I discovered this book, I was entranced by the super cool cutouts that led from one page to another (and also appear on the dust jacket, which I didn’t photograph).  I didn’t really sew at the time that I got it, but I made a lot of things, and I love clever and surprising art.

Joseph Had a Little Overcoat by Simms Taback

Joseph Had a Little Overcoat by Simms Taback

Joseph Had a Little Overcoat by Simms Taback

Joseph Had a Little Overcoat by Simms Taback

Joseph Had a Little Overcoat by Simms Taback

As I thought through my books, I realized something that is BEYOND OBVIOUS to me now that I have noticed it.  This is the PERFECT book for anyone who sews and anyone who refashions or makes do (or wants to secretly indoctrinate their children in the ways of sewing and making do–you know who you are!).

The story in this book starts out with a man with an overcoat.  It gets old.  It gets worn out.  Rather than tossing it or donating it and buying a new coat, he cuts off the bottom and makes it into a jacket.  When this begins to wear, he makes it into something else.  He goes on and on reusing and changing up the garment, until…

Joseph Had a Little Overcoat by Simms Taback

SPOILER ALERT–don’t read on unless you are ok with knowing how this book ends!!!

He loses the last little bit of it.  What will he do now?

Write a book about it!

Joseph Had a Little Overcoat by Simms Taback

This is such a creative, inventive story, both on the level of the character in the story and on that of the author and illustrator himself.  The copy I have is a second take on his original version (which I haven’t seen), and it’s just brilliant.  I don’t know the author.  I don’t get a kickback from telling you about this.  I just think this is the best book for those who love handmade, and I think the kids in your life will love it as well.  There is even a song about the story printed in the back for extra fun.  Check it out from your library and see what you think!



Ever heard of pysanky?  Yes?  No?  Pysanky are Ukrainian Easter eggs.  (You can find more information here and here.)  They are made using a wax resist technique much like batik.  Every year around this time, St. John the Russian, a Russian Orthodox church in Ipswich, offers a few pysanky workshops.  I was able to make it to both of them this year, once with some friends, and once with my eldest daughter.  Check out what we made:


At the beginning of each workshop, Julianna and Xennia Scheider explain some of the history and technique behind making pysanky.  They both have decades of experience, and it’s really amazing to see the eggs they and Julianna’s sister, Seraphima, have created over the years.

To decorate the eggs, you begin with white eggs and a small tool called a kistka that is like a stick about the length a pencil with a very small funnel attached to the end.  You heat the funnel over a flame and then scrape beeswax into it, heat it again until the wax melts, and then use it to draw whatever you would like to remain white onto your egg.  Once you’ve done that, you put the egg into the lightest color of dye you plan to use.  After a few minutes, remove the egg, dry it, and cover whatever areas you want to remain the color you just used  Then submerge it into the next color, and so on, until you finish with the darkest color you want to use.  It involves a bit of planning backwards and a good combination of aiming for a certain design and letting go of creative control.  You never know quite how the colors will come out.


In the picture above, you can see the three eggs I made over two weeks on the left.  The fourth from the left was a Jackson Pollock inspired collaboration between my daughter and myself.  She made the two eggs on the right.  The first egg on the left I had planned to make purple, but in the end it became a deep blue.  The next one over was going to be green, turquoise, and royal blue, but it came out a little different.  If you can approach the process with a little planning and a little letting go, you can really enjoy making the eggs and seeing the surprise of how they turn out in the end.

There is a lot symbolism you can incorporate into your eggs, or you can just experiment.  This year I used some of the example pictures they gave us to cobble together designs I liked.  The collaboration egg was pure experiment.  My daughter’s red egg was her trial egg, and she made the Batman egg for my husband.  Her first version smashed on the floor, but she put aside her disappointment and started again, finishing with plenty of time.


Once you go through the process of drawing with the wax and dying the egg, you put your egg on a rack of some sort in a warm over to soften the wax.  When it has softened enough, you wipe the wax off, revealing your creation!  It’s so exciting to see everyone’s eggs coming out of the oven and being revealed.






You can see a faint “S + L” that my daughter drew on the egg we worked on together.







I have yet to buy a kit and try this at home, but it wouldn’t be hard to do.  You can find kits in many places, including amazon.  Julianna told me that the dyes will usually last about three years if you add a bit of vinegar to top them off each year.  You can also find all kinds of books with examples of amazing eggs at your library or online.  One of the oddest parts for me was that we didn’t blow these eggs out.  Xennia said that over the years, it just feels like the insides turn to dust.  If you aren’t comfortable with this, however, you can blow them out first.  If you choose not to, just make sure you store them where air can circulate around them or they may crack (and stink).  I learned that lesson the hard way last year after storing the ones I had made the year before in a Ziploc bag.  Eggs may make us think of spring, but that smell certainly won’t remind you of a flower-filled day.

Have you ever tried this?  If you never have, I hope you do, but watch out!  It’s pretty addictive.  😉




“Without tradition, art is a flock of sheep without a shepherd.  Without innovation, it is a corpse.” –Winston Churchill

I read this quote for the first time on Thursday, while watching this video of art student David Popa (Gordon College, Wenham, MA) .

I was struck by the quote itself, but also by how perfectly his work embodies it.  It inspired me to keep studying art history, and to continue to explore.

 "Girl with a Pearl Earring" by Johannes Vermeer

VERMEER, Johannes “Girl with a Pearl Earring” c. 1665 Oil on canvas, 46,5 x 40 cm Mauritshuis, The Hague

Artwork courtesy of Web Gallery of Art.

Learn more about David Popa, Peter Huang, and their art co-op Bumbing Happens at the link.

Nursery Rhyme Art Project: Painting!


This is the last post on my latest art project based on the nursery rhyme “Sing a Song of Sixpence”.  You can find the earlier posts here, here, and here.  I hope you are ready for a lot of pictures!  I tried to catch each step of the painting so you can see what I did.  (If you feel impatient, just scroll to the end.)  First up, preparation!

Nursery Rhyme Art Project:  Painting!  (Pattern and Branch)First I had a friend cut some hardboard/Masonite into a circle for me.  I traced the Hex sign from the first post to get the circle shape and size that I wanted.  I gathered advice on how to prepare the surface, and then sanded it a little bit and covered it in gesso.  I also painted an X on the back in gesso to keep it from warping. (Thanks, Tanja!)

Nursery Rhyme Art Project:  Painting!  (Pattern and Branch)Once that was dry, I transferred my sketch onto the prepared board.  You can see I did this before I colored in parts of my large sketch.  I wanted you to get an idea of the process, even if things are a bit out of order.

Nursery Rhyme Art Project:  Painting!  (Pattern and Branch)

I also made myself a little color key.  Once I found the colors I liked in pencil, I tried to match them to paint colors.  Because I don’t usually paint, I wanted to avoid having to mix colors in order to keep things consistent.  I was pretty fortunate to find the colors I wanted fairly easily.

Nursery Rhyme Art Project:  Painting!  (Pattern and Branch)Finally getting started!  I’m usually behind the camera, but I love to see pictures of people working on creative projects, so I had my husband shoot a few pictures of me painting.

Nursery Rhyme Art Project:  Painting!  (Pattern and Branch)Here are the center circle and the second circle.  The center is an imaginary sixpence.  I took some elements from real sixpences to create the image.  The second circle is the rye in the nursery rhyme.  I liked blue as a background because it made me think of a blue sky over a rye field.

Nursery Rhyme Art Project:  Painting!  (Pattern and Branch)Next was the yellow stripe on the blackbirds’ wings.

Nursery Rhyme Art Project: Painting! (Pattern and Branch)Then came the bottom of the pie.  I tried to apply the color on this ring in order from lightest to darkest.

Nursery Rhyme Art Project:  Painting!  (Pattern and Branch)

Nursery Rhyme Art Project:  Painting!  (Pattern and Branch)

Nursery Rhyme Art Project:  Painting!  (Pattern and Branch)

Nursery Rhyme Art Project:  Painting!  (Pattern and Branch)

This was the beginning of the outer crown ring.

Nursery Rhyme Art Project:  Painting!  (Pattern and Branch)

Nursery Rhyme Art Project:  Painting!  (Pattern and Branch)

I liked the red jewels, but wasn’t sure about my second color.  I knew I wanted two jewel colors, so I tested out the idea on my color key (several pictures above) before trying the green on the actual crown.  I was happy with how they looked in the end.

Nursery Rhyme Art Project:  Painting!  (Pattern and Branch)Here it is before the final varnish.  I got nervous at this point.  What if the varnish somehow messed everything up?  I would have to give the library a photo and say, “Well, here’s what you were supposed to get!  Sorry!”  Luckily, my vivid imagination doesn’t often play out in reality (Thank God!  Do you know how many bridges would have collapsed just behind our car or how many medical emergencies I would have lived through?!)

Nursery Rhyme Art Project:  Painting!  (Pattern and Branch)Getting ready to varnish…(Having a child in preschool taught me that produce trays make great paint/craft trays.)

Nursery Rhyme Art Project:  Painting!  (Pattern and Branch)Finally finished!  It took awhile for that to sink in for me.  Here’s one more shot.

Nursery Rhyme Art Project:  Painting!  (Pattern and Branch)

Do you think it looks slightly convex?  My husband and I think that every time we look at pictures, even though the surface is flat.

I sort of wish I had added up the hours that this took, but sometimes I’m glad I didn’t.  It made my life very busy, but it was so great to be busy with something I loved.  It made me excited to get up each morning.  I haven’t always had that feeling, so it was a real gift.  I hope the library and the kids there like it.  I loved working on it.


Nursery Rhyme Art Project: Test Sketches


Hi, friends.  Today I’m going to share some of my test sketches from my current art project.  Last week I talked about the influences that went into it, and today I’ll show you how I began to bring the project out of my head and onto paper.

The first step was to break down the nursery rhyme (“Sing a Song of Sixpence”) into different parts.  I chose four:  the sixpence, the rye, the birds in the pie, and a crown to represent the king.  I used Google Images to look for inspiration in each of these areas.  Then I did little test sketches to see how it felt to draw each image more or less as I had found it online.  After that, I began to change the image to suit my purpose.  Check it out:

The sixpence:

Nursery Rhyme Art Project: Sixpence (Pattern and Branch)


I did a little bit of research on the sixpence, but really wanted my own take on it, so I tried to limit my information (I can tend to go overboard in the information department, so this was important.).

The rye:

Nursery Rhyme Art Project:  Rye (Pattern and Branch)

I came up with my idea for this image fairly quickly, so there aren’t many initial drawings.  If you look in the bottom right corner, you can see what I decided on.

The blackbirds and the pie:

Nursery Rhyme Art Project:  Blackbirds (Pattern and Branch)

In my limited research on this nursery rhyme, I found out that there were cookbooks around the time this nursery rhyme originated that explained how to make a bird pie and keep the birds alive so they would fly out when the pie was opened as a surprise for the guest!  I also read that there are versions of this nursery rhyme where it isn’t birds baked in the pie, but naughty boys.  Seemed good to stick with birds.


The crown:

Nursery Rhyme Art Project: The King (Pattern and Branch)

I don’t have a lot of confidence in drawing people.  One of my college portraits of my husband, then my boyfriend, made him look like he was from the movie “Planet of the Apes”.  (That should probably be a Craft Fail…).  Instead of drawing a king (or another character from “Planet of the Apes”) I decided to use a crown to symbolize the king in the nursery rhyme.  I had more trouble with this section than you might expect, but I finally settled on a good option, as you’ll see in future posts.

I hope you liked this little peek.  Next week I’ll show you how I put all these together to get my full-size rough draft.


Nursery Rhyme Art Project: Influences


Hi, friends.

I know it’s been quiet around here….I’ve had my nose to the grindstone working on my latest project.  I want to share it with you in stages, so here is the first installment.

Our local library recently received a grant to fund an early readers’ program for children ages 0-2.  They invited 10 local artists to make an artwork around a nursery rhyme in any medium.  I chose this one:

Sing a song of sixpence,

A pocketful of rye.

Four-and-twenty blackbirds

Baked in a pie.

When the pie was opened,

The birds began to sing.

Wasn’t that a dainty gift

To set before the king?

There are further verses, but these are the ones I am working with.  (Later verses and other versions have naughty boys baked in the pie and people getting their eyes pecked out.  I decided to skip those.)  My inspiration came from a friend’s young son who loves this Amish barn sign (I think that’s what it is called) that I have on our wall.  (If anyone knows more about these kinds of round signs, I’d love to read it in the comments.)

Amish barn sign (Pattern and Branch)

His favorite part is when we spin it (it has a nail through the center).  I liked this circular format, so I traced this shape and a friend cut it out of hardboard/Masonite for me.  Then I went to work researching the objects I visualized for the finished piece.  I also liked the idea of a flat, slightly folk-art feel, so I tried to incorporate that.  I’ll share more with you next time.



I love beautiful landscapes.  I love looking at them whether in person, as a photograph, or as a painting (and probably in many other media, as well).  Since discovering new artists is something that I love, I thought I would share some of my favorite landscape artists with you as well.  I’ll link to each artist’s site or a gallery that carries their work.  Here they are, in no particular order.  Let’s go!

Dorothy Kerper Monnelly

Salt Marsh Island, Clouds by Dorothy Kerper Monnelly

“Salt Marsh Island, Clouds” by Dorothy Kerper Monnelly

If you love photography in the vein of Ansel Adams, you will love Dorothy Kerper Monnelly’s work.  Her images are pristine, precise, and expansive.  She also has two books out.  For My Daughters is her most recent, filled with her mother’s poetry and her photographs.  It’s a moving homage to a great poet by a great photographer and to a great mother from a loving daughter.  Her other book is The Great Marsh.  If you want a picture of an important part of the New England landscape, you can find it here.

T.M. Nicholas

“Sierra Morning” by T.M. Nicholas

T.M. Nicholas is an oil painter of the Rockport School of Art.  He is also the son of landscape painter Tom Nicholas, with whom he shares a gallery in Rockport, MA.  His New England landscapes are some of my favorites, but his work is fabulous no matter which part of the country it depicts (like in the picture above).  I met him a few years back and when I found out what he did, I looked up his work.  I was so much in awe of it, that I couldn’t talk to him the next few times I saw him.  It was sort of like a celebrity sighting, you know?  Luckily, I got over it.  🙂 His work makes me wish I had good money to spend on fabulous art or the skills to trade for some fabulous art.  Guess I’d better work on my sewing, huh?

Julia Purinton

I’ve seen Julia Purinton’s work in exhibitions several times, and I’m always struck by the luminosity of it.  Looking at photos of her work online doesn’t truly do it justice (as with all of these artists).  There is a real depth and light in her landscapes that isn’t fully captured by technology.

Pamela Turnbull

"Farnham's View" by Pam Turnbull

“Farnham’s View” by Pam Turnbull

After living in New England for several years, I decided to start a small art fund, so that someday, when I found a painting of the marshes that I loved, I could buy it.  Then one summer, at an art fair, I found the perfect painting called View from Farnhams.  It was by Pamela Turnbull.  (The above painting is similar to mine, but is not the same one.)

Tom Hughes

“Ready for Spring” by Tom Hughes

I discovered this painting several years ago and jokingly put it on my Christmas “wish list”.  It perfectly captures New England on the brink of spring.  His work is stunning.  I was telling Tom (T.M.) Nicholas about how fabulous it was and, guess what?  They’re friends!  It was almost like a double celebrity sighting (except that I’ve never seen Tom Hughes, but maybe we can just pretend).  🙂  Sadly, no one has yet bought this artwork for me.  Maybe someday…

Caspar David Friedrich

The Sea of Ice 1824 - Caspar David Friedrich - www.caspardavidfriedrich.org

“The Sea of Ice” 1824 – Caspar David Friedrich

Caspar David Friedrich’s work is moody, mysterious, and romantic.  I love the drama in his paintings.  His “Wanderer Above the Sea of Mists” was always my vision of Emily Bronte’s Heathcliff returning to Wuthering Heights in her book Wuthering Heights.

Ansel Adams

“Tetons and Snake River” by Ansel Adams

Who can talk about landscapes without talking about Ansel Adams?  His work is unparalleled.  He captures light, dark, and all the gradations in between with unwavering clarity.  When I was in the ninth grade, he inspired me to want to become a photographer (these days I can’t seem to stick to one medium, but I still love to take pictures).

We don’t have time and space now to visit the many other talented landscape artists I’ve found, so maybe we’ll return to this again, buy you can always visit my Pinterest page and look in the Art board if you’d like to see more of my favorites.