Tag Archives: dirndl

It’s Dirndl Time! Burda Style 7084

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It’s Dirndl Time! Burda Style 7084

It’s dirndl time!  But it’s not for Oktoberfest.  Oh, no.  I finally made a dirndl, and I made it for…a German-themed birthday party!  It’s not every day you get to say that.  And yes, it was as awesome as it sounds.

Dirndl time with Burda Style 7084

I’ve always been interested in folkwear, and have thought from time to time that it would be fun to sew a Dutch costume and attend a Tulip Time festival, but I never got serious about it.  Then, a few years ago, Gretchen Hirsch of Gertie’s New Blog for Better Sewing went on a trip to Europe and got dirndl fever.  Here is her definition of a dirndl from the same blog post:  “the dirndl is an ensemble which consists of a low-cut full-skirted dress with a snugly fitted bodice, an apron, and an underblouse that ends just below the bustline. Adorable jackets, flowered headbands, and hats may be added!”  I read her blog posts and looked through all the beautiful pictures of the many variations of this traditional Alpine look, and I caught the bug too.  I’ve been wanting to sew something at least inspired by Bavarian folkwear ever since, and this party was the perfect opportunity.  (I even started a dirndl Pinterest board to save my inspiration pictures!)

Dirndl time with Burda Style 7084

Part of what made this whole experience great was that this wasn’t just any German-themed birthday party, but one for a fellow sewist.  It was attended by a number of other sewing people, so in the weeks leading up to the event, as I was sewing (and stressing that I wouldn’t finish in time), I felt the solidarity that comes with knowing there were others in the vicinity making their own dirndls.  It gave me the will to power on!  😉

Being practical (and on the lookout for a dress pattern I would use in my everyday life) I chose Burda Style 7084.  My hope was that with the apron, it would look like folkwear, but without the apron, it would magically transform into an everyday dress (#secretdirndl).  There seems to be quite a lot of variation in the traditional look, which Gertie touches on in this blog post on dirndls and wearability, so my idea wasn’t too out there.  Additionally, as much as I love the look of the dirndl with the blouse, fitted bodice, and gathered skirt, if I was going to actually wear this more than once, it was going to need more ease and bust coverage.

Dirndl time with Burda Style 7084

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Dirndl time with Burda Style 7084

So, despite some trepidation that I wouldn’t finish on time or that something would go amiss, I got started.  Before making the dress, I did a major broad back adjustment on the back bodice piece, and then made a quick muslin of the bodice.  Thankfully, that worked out and showed me I was on the right track.

Dirndl time with Burda Style 7084

Although my measurements put me at an 18 for the bust and waist and a 20 for the hips, I made a straight 18 since the hip part of the dress is really just a lot of gathered fabric, which seemed pretty forgiving.  I made View A, with the little collar, but in the shorter length.  I hadn’t spent time sourcing fabric, so I was hoping that I could use some from my stash, and choosing the shortened length both saved me fabric, and made the dress fit my preferences better.

Dirndl time with Burda Style 7084

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Dirndl time with Burda Style 7084

In the end, the dress was almost free.  My outer material is a very lightweight, nearly sheer Swiss Dot Chambray in a color called Denim by Robert Kaufman.  I bought it with a gift card I won in a giveaway from The Cloth Pocket in Austin, Texas (Thanks, guys!).  I underlined it with an old sheet, which added opacity and body (and also cut down on wrinkling).

Dirndl time with Burda Style 7084

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Dirndl time with Burda Style 7084

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Dirndl time with Burda Style 7084

For the apron, I used a sheer cotton embroidered curtain panel someone had given me.

Dirndl time with Burda Style 7084

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It's dirndl time with Burda Style 7084!

All I really had to buy was the pattern, some buttons, and pencil pleating tape for the gathering on the skirt.  All of those things came from Jo-Ann Fabrics.

The pencil pleating tape was a little tricky to find.  You can gather the skirt by hand (as shown in this blog post), which I would love to try someday, but I was happy to have a quick option for this project.  I did some googling and didn’t turn up much.  In the end, I found 4″ pencil pleating tape for sale by the yard in the upholstery section of Jo-Ann’s.

Dirndl time with Burda Style 7084

In order to use it, I sewed it to my assembled skirt, pulled several strings in the tape to gather the fabric, and adjusted the gathers until the skirt fit the bodice and my hips.  I braided the long ends of the ties and loosely knotted them rather than cutting them short, so that I could adjust the skirt in the future should I ever need to.  Then I sewed the skirt to the bodice.

Dirndl time with Burda Style 7084

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Dirndl time with Burda Style 7084

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It's dirndl time with Burda Style 7084!

When making the apron, I didn’t think about the fact that the apron length is meant to go with the longer skirt, so I had to take it apart after I thought I had finished and shorten it from the top since I was trying to preserve the embroidery along the edges.  In the end, though, the placement of the embroidery was much better on the shortened apron than it had been originally.  I’m so glad I found a use for this gorgeous and delicate fabric.  It definitely looks like I put more work into it than I did!

Dirndl time with Burda Style 7084

I decided not to add the rick-rack the pattern called for, and I chose really basic buttons in the interest of frugality and wearability.

Dirndl time with Burda Style 7084

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Dirndl time with Burda Style 7084

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Dirndl time with Burda Style 7084

Despite my fears, I finished in time, and I love my dress and apron.  It doesn’t hurt that I already owned a real, traditional German jacket.  It made for the perfect outfit!  The party was a blast, and I have worn the dress many times since making it, both with and without the apron.  It was the perfect first dirndl project.  Maybe there will be more to come?  Hopefully!

Recommendations

  • I’d love to try these Buckeye Turtle Brownies.  Just the name sounds amazing!
  • This Kalle Shirt Dress that Marcy made is so great.
  • I’m really obsessed with this outfit from Denim & Supply by Ralph Lauren.  I need to make a wool vest, stat!  Actually, I want the whole outfit, and with sewing as my superpower, it’s not out of reach!  Does this mean I need to enter Designin’ December?

 

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McCall’s 7261: “Doin’ Everything in my Activewear!”

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McCall’s 7261: “Doin’ Everything in my Activewear!”

As I continue to expand my sewing skills, one of the goals I have is to try out different kinds of fabric.  One type of fabric that I would really like to try out is merino wool knit.  It tends to be prohibitively expensive for me, so I haven’t tried it yet, but I thought that trying out another wool knit would be a good start.  Before Christmas, Fabric Mart had a wool/Lycra jersey from an activewear manufacturer as one of their daily deals.  In the interest of helping my wonderful husband with his Christmas shopping, I tipped him off to this and–surprise!–it showed up for me on Christmas!  (He’s the best!)  😉

Because of the truly awesome deal that this was, I got a good amount of yardage (4 yards), and made plans to make it into both an activewear top and a t-shirt at some point.  Today’s project is my activewear top–McCall’s 7261, View B.

McCall's 7261--Activewear top

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McCall's 7261--Activewear top

I started with this because I knew I could wear it over another shirt in case it was itchy, and I often want a light long-sleeved layer to wear over my sleeveless workout top until I get warmed up.  Also, in all honesty, I was hoping that by sewing more activewear I would be more motivated to get to the gym.  I’ve been doing a lot of walking outside, but I would also like to do some strength training…it’s just so hard to go in when it’s sunny and not bitterly cold out…or you’re busy…and stuff.

So, enough talking–on to the project.

McCall's 7261--Activewear top

I’m really happy with this one.  The only adjustment I had to make was to grade out from a 16 at the bust to an 18 at the waist and hips.  The fit is good, but with enough ease to be comfortable and to easily fit over another shirt.  The good news about the fabric is that it isn’t itchy.  When you touch it with your hand, you think it will be, but when you wear it, it isn’t.  Surprises me every time.  🙂

McCall's 7261--Activewear top

The shirt has raglan sleeves and princess seams as well as a drapey cowl neck that crosses over in the front.  The cuffs are extra long and have thumb holes.  The front hem is also higher than the back.

McCall's 7261--Activewear top

The thumb holes are probably the only part I would adjust if I made this again.  I think they need to be a little bit larger, have a stretch stitch around them (which may or may not be necessary if the thumb holes are larger), and maybe be repositioned a bit.  The sleeves twist a little when I use them as they’re positioned now.  I do love having them however, and these adjustments are minor in the grand scheme of things.  When I’m not using the thumb holes, I fold the cuffs over on themselves.

McCall's 7261--Activewear top

For my hem and around the join of the cowl and the neck, I used a twin needle to add stretch and look professional.  Also, I’m super excited that I actually know how to use a twin needle on my machine now.  It took me forever to figure it out!

McCall's 7261--Activewear top

I like that the seams are double stitched (the seams are first sewn with a straight stitch and then with a zigzag stitch in the seam allowance).  The straight stitch gives a nice clean line at the seams, but the zigzag backs you up when those straight stitches inevitably pop a bit.  If you had a serger, these things probably wouldn’t be an issue, but I don’t, and this doesn’t really bother me all that much.  In the hopes of maybe giving my seams a little extra stretch, I used woolly nylon thread in my bobbin and normal polyester thread in the top.  I also used a jersey needle and a walking foot.  This is just me trying out different things, though.  I think you would also be fine using regular polyester thread throughout, a jersey or stretch needle, and a normal foot.

And finally, one more thing in the category of…I don’t know…things I’m trying to motivate myself to do, I guess.  So, along with getting to the gym, I’ve been having trouble motivating myself to take blog photos.  My husband has been taking my pictures a lot lately, but I’m sure becoming my Instagram Husband wasn’t really on his list of life goals (although he is always willing to help out), so I’m trying to motivate myself to take more and better blog photos.  It’s a process, people, and I am no model.  So, today’s photoshoot is brought to you by the use of props and humor.  They came out a little blurry, but I did have fun!

McCall's 7261--Activewear top

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McCall's 7261--Activewear top

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McCall's 7261--Activewear top

Recommendations

  • Traditional folk costumes are fascinating, and I love a good dirndl.  Back when Gretchen of Gertie’s Blog for Better Sewing got into them, I vicariously went along for the ride and, thanks to her, discovered Lena Hoschek’s beautiful dirndls.  Some women want a chance to make a fancy dress, but I think I really want a reason to make a dirndl.  I’m saving up ideas for now over on Pinterest.  😉
  • And, since we’re on the subject of folk costumes, I also always wanted to make a costume to go to Tulip Time in Holland, MI.  I’ve been to a few tulip time festivals, but I always thought it would be fun to make my own costume.  I have to say though, that at this point, the dirndls are a lot more likely to get made.  They’re winning in the ‘beauty’ and ‘scope for imagination’ categories.  A lot of the American Tulip Time costumes that I’ve seen are a snapshot in time while the German and Austrian dirndls are an ongoing, living tradition.  I admit to having no knowledge of tulip festivals in the actual Netherlands.
  • Well, since we’re talking folk costumes, we might as well mention Folkwear patterns.  Their patterns represent the traditional clothing of different cultures and times in history.  I’ve never tried any, but have had fun perusing their offerings.  Have you ever sewn with one of these patterns?
  • And now for something completely different.  This video is a repeat, but every time I wear workout clothes/activewear (especially when I’m not actually exercising), I think of this video.  It’s also where I got the title for this post.  😉

A Quartet of Briar Tops

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And here’s the last of my unselfish sewing…EVER.  Ok, just kidding.  At least for now.  I made myself another Briar top (by Megan Nielsen patterns) as well as two Mini Briars and one mash-up of an adult Briar and a kids’ Briar.

Megan Nielsen Briar and Mini Briar Tees

Megan Nielsen Briar and Mini Briar Tees

This is now my third Briar (number one in a double-layer knit is here and number two in Polartec is here), but it’s my first time making a Mini Briar.  I received all three of Megan’s children’s patterns as a thank you for being a pattern tester for the Mini Tania culottes (which are super-cute, by the way).  The children’s Briar is similar to the adult version, although not identical.  It came together very easily.  One thing I love about Megan Nielsen patterns is their visual clarity.  When I first started sewing garments, I was always intimidated by the busy and complicated look of the standard patterns you find in chain fabric stores.  Megan’s patterns are completely opposite to that.  They have a clean look to them that makes you feel confident you will be able to understand them.  Actually, I think that is the case with a lot of the independent pattern companies, which is a big plus.

Megan Nielsen Briar and Mini Briar Tees

It is a great advantage to have the same pattern in a kids’ version and an adult version when you are sewing for someone who doesn’t quite fit in either range, but is somewhere in the middle.  This was the case with the aqua and pink shirt.  It was great to be able to pull both patterns out, compare sizes and make a custom pattern from the two of them.  It was a bit of a head-scratcher at times, trying to figure it all out and make the best-fitting pattern possible, but all the problem-solving is one of the things I really like about sewing, so I enjoyed the challenge.

Megan Nielsen Briar and Mini Briar Tees

Megan Nielsen Briar and Mini Briar Tees

I ordered all of the deer fabric from Girl Charlee.  It’s a poly/cotton blend, so we’ll see how it wears over the long run.  The fabric for the short-sleeved Mini Briar is left over from a long ago project and is from Jo-Ann’s.

Sewing all these up reminded me that while I really love sewing knits because they are so forgiving, I still have a lot to learn.  I’m getting better at choosing stitches that work well, but I still get wavy collars that don’t sit right.  Part of the problem is that, in most cases, I’m not quite sure what I’m doing wrong.  In the aqua and pink shirt, I raised the neckline, but still used the original pattern piece for the neckband, which I should have shortened.  Lesson learned.  As for the other ones, they are pretty close, but not quite right.  Ironing helped, but I think I still need more practice.  Oh, well!

Overall, these are great shirts and they have been getting lots of wear.  It’s nice to see my t-shirt collection slowly getting more interesting and colorful, and it was fun to try out a kids’ pattern.  I think the recipients of the kids’ shirts were happy, too.  🙂

Megan Nielsen Briar Tee

Megan Nielsen Briar Tee

Megan Nielsen Briar Tee

Megan Nielsen Briar Tee

Recommendations

Here’s some fun stuff to check out over the weekend.

  • You have to see this dirndl on the Draped in Cloudlets blog.  I’m so impressed by the fit, subtle details, and sheer amount of work that must have gone into this!  The results are so beautiful, and really inspiring.  I think I may need a reason to sew a dirndl…
  • I’ve been listening to a lot of the folk/bluegrass music of Sarah Jarosz lately.  I don’t have a broad knowledge of music, but when I find someone I like, I tend to play their music to death.
  • I always figured that the one everyday clothing item I couldn’t make was shoes.  Then I saw these ballet flats that Jodie of Scared Stitchless made.  I’m happy to be proven wrong.  These are amazing.
  • Here’s another cool music video for you this week:  Wintergatan–Marble Machine.  The music is made by marbles being run through a machine by the artist.  Fascinating and lovely.