Tag Archives: Limerick Linen

Peppermint Magazine Peplum Top in Robert Kaufman’s Limerick Linen

Standard
Peppermint Magazine Peplum Top in Robert Kaufman’s Limerick Linen

I didn’t manage to get a lot of sewing done this summer, but I did make a few things! One was the Peplum Top from Peppermint Magazine/In the Folds.

Peppermint Magazine Peplum Top in Robert Kaufman's Limerick Linen

I’ve made this one before, back in 2018 when I made two versions. It’s such a fun shirt and a nice pattern that I wanted to revisit it and see if I could squeeze it out of some Robert Kaufman Limerick Linen scraps I had saved from the time I made my friend a jacket using Simplicity 8172. Oh, this linen! It’s so beautiful and so floaty. I love it.

Peppermint Magazine Peplum Top in Robert Kaufman's Limerick Linen

Before starting, I looked back at my old post to see what changes I had made to the pattern. I used those again: a minor forward shoulder adjustment, and lengthening the top by two inches, although this time I added one of the inches to the bodice and one inch to the peplum. I made size G, and found a surprising error on the pattern. Even though the key to the sizes shows different line styles for sizes G and F, on the printed and assembled PDF, they both look the same. I just had to count up or down to my size to make sure I was on track. It’s very possible this problem has been fixed since I downloaded it, but keep an eye out just in case if your are sewing either of those two sizes.

This fabric is a little shifty to cut, so you need to be careful and go a little bit slowly. This can be an issue while sewing, too, so make sure you stay stitch the front and back neckline before getting started. It’s not a hard fabric to sew–just be aware that it can shift. Handle it carefully, and you’ll be fine.

Peppermint Magazine Peplum Top in Robert Kaufman's Limerick Linen

I tested out various trim options, but in the end, I decided to keep the outside of the top plain to let the linen shine through, although I did use some fun Rifle Paper Co. rayon bias binding I made instead of the facings. After doing the forward shoulder adjustment, I didn’t really want to alter the facings when I had this pretty option I could use instead. I used my serger to finish my other seams, so the inside looks nice and neat.

Peppermint Magazine Peplum Top in Robert Kaufman's Limerick Linen
Peplum Top front–you can see peeks of the bias binding; the quilt in the background was made by my Mom!

l

Peppermint Magazine Peplum Top in Robert Kaufman's Limerick Linen
Peplum Top, back

When I finish a garment, unless I really hate it, I usually feel like it’s THE BEST THING EVER and MY NEW FAVORITE and so on and so forth. I loved this when I first made it–and I still do, but wearing it a few times has helped me to see not only its best qualities, but also some that I like less. The pros are that this is a great pattern in beautiful fabric, and it feels like an absolute dream to wear in the summer. It’s cool and breezy and SO GOOD. Another thing that I love is that because it is dartless, it’s also reversible. I love it both ways. Each one is a little different. The parts I like a little less are that at this size, the armholes are a little low, and show my bra. The beautiful volume that allows this to feel so light and breezy also can have a bit of a pregnancy look, especially from the side. That would be different in a drapier fabric like a silk crepe de chine or a rayon challis, but in a fabric with any amount of body, you need to be prepared for volume. In general, I like the volume, but not always.

Peppermint Magazine Peplum Top in Robert Kaufman's Limerick Linen

All that being said, I really do love this top. I think it will look great as the season turns, on those days when it’s cool enough for jeans and a jacket, but still warm enough for a sleeveless or short-sleeved shirt. I had to do a lot of piecing on the peplum to get it out of the small amount of fabric I had, but I made it with only two scraps left over. Man, I love linen!

Last, but not least, guess what? Today is the nine year anniversary of this blog! Wow! It’s great to be able to look back and see how much I have grown as a sewist and craftsman, how much my focus has both narrowed to sewing, and then expanded to making garments in general with the reintroduction of knitting to my crafting skillset. Will shoes be next? Will I ever make a straw hat? Who knows?! Thanks for reading along, though. I really appreciate it. 🙂

Advertisement

A Linen Jacket for my Friend: Simplicity 8172

Standard
A Linen Jacket for my Friend: Simplicity 8172

It’s not too often that I sew for someone else, but today’s project is one of those rare ones.  I can probably count on one or two hands the people I’m willing to sew for, and my friend Jo-Alice definitely makes the cut.  If I listed all of her wonderful qualities, this blog post would become a book, but let’s just say that she’s one of those rare people who manages to be both very real and very loving—not an easy feat.

A Spring Jacket in Irish Linen:  Simplicity 8172

When she mentioned that she liked some of the views of Simplicity 8172 after I made it last year, I mulled it over and then asked her if she still liked the pattern and would want me to make one for her.  She said she did still like it, and after I convinced her that I really wanted to make her something for her birthday, she agreed.  Being a maker of things herself (you can see some of her pottery and knitting here), she knows the time that goes into creative projects, and she didn’t want to pull me away from my personal to-make list, but this was a gift I was happy to spend the time on.

A Spring Jacket in Irish Linen:  Simplicity 8172

l

A Spring Jacket in Irish Linen:  Simplicity 8172

I found some beautiful Limerick Linen by Robert Kaufman Fabrics at Pintuck & Purl as well as a floral rayon by Rifle Paper Co. for Cotton + Steel (this one I think?).  Jo-Alice chose View C, because it had some nice waist shaping, and I made a muslin out of an old sheet to check the fit.  We thought we were going to have to shorten the pattern, but the muslin showed that the length was good as drafted.

A Spring Jacket in Irish Linen:  Simplicity 8172

It was important to think about seam finishes on this project since the pattern doesn’t always specify what you should use.  Because the linen was on the lighter side, I chose to use French seams throughout.

A Spring Jacket in Irish Linen:  Simplicity 8172

The fabric itself is a slightly loose weave, which made it a bit shifty, but it was such a beautiful fabric, that I loved working with it regardless.  I kept my eye on things to make sure that everything stayed on-grain, and it was fine.

A Spring Jacket in Irish Linen:  Simplicity 8172

l

A Spring Jacket in Irish Linen:  Simplicity 8172

I decided to make my bias tape from the rayon which, admittedly, I stalled on.  I really wanted to teach myself how to make continuous bias tape, but I was intimidated by learning a new process.  My co-worker, Bea, an accomplished quilter, gave me a few tips on using starch on my fabric, which was the push I needed to keep going.  She let me borrow some Linit starch, which she said to mix 1:1 with water in a spray bottle.

A Spring Jacket in Irish Linen:  Simplicity 8172

Next she told me to spray the back of the fabric (testing in a small area first) and then press the fabric.  I didn’t use steam.  This stiffened the fabric enough to make it really easy to work with.  It was still flexible, but wasn’t overly shifty or slippery.  After that, I used the tutorial for making bias tape in Learning to Quilt:  A Beginner’s Guide by Lori Yetmar Smith.

A Spring Jacket in Irish Linen:  Simplicity 8172

I made single fold bias tape to the size I needed using a bias tape maker (I got assorted sizes on Amazon—similar to these).  One yard of 44″ wide fabric make A LOT of bias tape.  I definitely could have used less, but you don’t know until you try.  And…it’s not like I mind having all this beautiful leftover bias tape.

A Spring Jacket in Irish Linen:  Simplicity 8172

While my bias tape was uniform on the visible side, the edges that were folded under weren’t perfectly even.  To help myself out when applying it, I sewed a line of basting stitches 3/8″ from the edge where I was going to attach the bias tape since that was the seam allowance there.  Then I lined up the folded edge with my basting stitches so that everything would look nice and even.

A Spring Jacket in Irish Linen:  Simplicity 8172

l

A Spring Jacket in Irish Linen:  Simplicity 8172

The one area where I wasn’t quite sure what seam finish to use was the cuffs.  I did a quick experiment with some scrap fabric just to see if all those layers would be too bulky, but with the lighter weight of the linen it seemed OK to me, so I was able to use French seams there as well.

A Spring Jacket in Irish Linen:  Simplicity 8172

Overall, this was a very simple and pleasant project.  I was worried at the end that the fit would be different than it had been on the muslin, but Jo-Alice loved it, and it looked beautiful on her.  I like this longer view much better than the short view (View A) that I chose the first time I made this.  And, although I told her that she didn’t have to pose for blog photos, she has always been a huge supporter of my creative projects and assured me that she was more than willing.  She makes a great model.  We had lots of fun shooting these pictures even though it was gray and rainy out.

A Spring Jacket in Irish Linen:  Simplicity 8172

l

A Spring Jacket in Irish Linen:  Simplicity 8172

l

A Spring Jacket in Irish Linen:  Simplicity 8172

l

A Spring Jacket in Irish Linen:  Simplicity 8172

l

A Spring Jacket in Irish Linen:  Simplicity 8172

l

A Spring Jacket in Irish Linen:  Simplicity 8172