A McCall’s 8066 Summer Skirt in Black Double Gauze

Welcome back for another summer clothing post! During fall! Yep, I’m behind on posting, and if I don’t post everything, there’s a real chance I will forget what I made. Crazy, I know, but the struggle is real. 🙂

So here’s a quick project that could work in many seasons depending on the fabric you choose. McCall’s 8066 (aka “Posie”) is a simple skirt, with several variations, with and without tiers.

McCall’s 8066

McCall’s 8066

I made View B. Like the other views, it has a flat front and an elastic back. There are no pockets, but I added some in the side seams.

My skirt is made of black cotton double gauze from Joann Fabrics. They had this double gauze in several nice colors as well as a few stripes this summer, and I bought it in more than one shade. It washes up really nice and soft. I love it! Joann’s website calls it bubble gauze, although it’s different than bubble gauze I’ve bought elsewhere. This is a double layer of gauze, whereas the bubble gauze I bought before was a single layer. I don’t have enough experience with bubble gauze to tell you which is the norm.

McCall’s 8066, View B, front

McCall’s 8066, View B, back

This skirt should be a quick sew, but I got a little paranoid when my measurements for hip and waist put me in two different sizes. I measured an XL at the waist and an XXL at the hip. With the style of this pattern, I would have been fine making the XL, but instead, I cut an XXL for waist and hip because I was worried that the XL wouldn’t fit over my hips to take the skirt on and off. Well, as you can probably imagine, the skirt was too large on me. So, I spent some time taking it partially apart at the side seams and taking in the front and back waistband, always making sure the back waistband would stretch enough to go over my hips. I cut it down as much as I dared, but it still looks a bit bulky to me. Oh, well! I’m only willing to mess with a project so much before I want to move on.

I borrowed a pocket pattern piece from another pattern and added inseam pockets. Because of my alterations, they are back a bit far on my hips, but not too bad.

Since I made this toward the end of summer, I haven’t worn it a lot, so I’m reserving final judgement for next year when I have some distance from the project and more chances to wear it.

My first impressions, though, are that this is a good, simple pattern, with great possibilities. Don’t let my mistakes keep you from adding McCall’s 8066 to your pattern library (yes, that is how I think of my pattern stash–it’s a pattern library). Could you draft this yourself? Yes. It’s a lot of rectangles, but one thing I like about commercial patterns is that someone did the work for me. 🙂 This is a great pattern for a beginner or someone who has been sewing longer and wants a quick project. Wouldn’t view D would be amazing in a few layers of silk/cotton voile?

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Wrap Skirt in Vintage Fabric: Burda Style 6375

I love going antiquing.  A month or two ago, I went to my local flea market and got a deal on some vintage quilting cotton.  Three dollars for 2–3 yards!  I thought about what to make with it, and finally settled on Burda Style 6375, a cute wrap skirt with interesting pockets.  The plan was to underline it with a cotton sheet for opacity and to reduce wrinkling.  It seemed like a fun project to make as the weather is changing.

The Pattern

This pattern has two views, a shorter skirt designed for leather or imitation leather, and a longer skirt created for woven fabrics.  I opted to make the woven fabric version (View A) in the shorter length.

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My measurements put me just one size outside of Burda’s range, so I looked at the pattern and noted how much space was between each size, and then enlarged the largest size by that amount, creating the next size up.  Before cutting, I layered my fabric on top of the sheet with right sides facing out, trying to keep the grainlines going in the same direction.  Then I cut both layers out together.

Sewing Notes

• I underlined each of my pattern pieces—and by underlined, I just mean that I cut them out of both fabrics and then treated the double layers as one.  Since neither fabric was slippery, they stayed put once paired together, and I didn’t have to baste them together as is traditional when underlining.  For the pockets, the double layers of cotton were a bit too bulky.  Perhaps the little triangle pieces on the outside of the pockets could have been underlined in silk organza, but I just forged ahead with my double layers of cotton.

• I left off the the narrow leather bands shown in the illustrations, but they would certainly be a good addition if they fit the look you are after.  In retrospect, I wish that I had finished the edge of the facing inside the pocket to prevent fraying.  For durability, I stitched two lines around the pockets instead of one and added bartacks to the top corners.

• Due to the bulk of the underlining and fashion fabric, I made sure to grade my seams whenever necessary (waistband and tie especially!).
• I tried to use up whatever lace seam binding I could on the inside of the skirt.  It’s such a fun trim, and I have a good amount thanks to the generosity of various people.  On seams that weren’t covered in seam binding, I turned and stitched my seam allowances.  To do this, you press your seams open, then turn each edge of the allowance under and press again.  Finally, you sew each seam allowance, making that last crease permanent and hiding the raw edges from view.

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The Confusing Part

The tie, eyelet, and snap closure were a little confusing, but I finally figured it out.  I’m putting a lot of pictures in this section in case others get confused.  There aren’t a lot of posts or reviews about this pattern, so hopefully this will help.

The snap is meant to go on the inside layers to hold the underlap to the outer layer of the skirt.

The large metal eyelet goes on the outside corner of the waistband.

The tie is a long finished rectangle of fabric that gets sewn to the waistband.  Half gets threaded through the eyelet and tied to the other half of the tie.

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I also added a button inside the overlap and a buttonhole on the underlap so that I could be sure my skirt wouldn’t come untied and fall open with only the snap to hold it on.

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My Big Mistake

I did make one rather large mistake…  When the skirt was all finished except for the closures, I tried it on, and found that the underlap just wasn’t long enough.  One gust of wind, and I would have a problem on my hands.  I knew that I had just measured myself and compared my measurements to the pattern.  Why on earth hadn’t Burda made a longer underlap?  What were they thinking?  How was I going to fix this?

The skirt went in “time out” for a few days while I thought this problem over.  I figured I could add more fabric to the underlap, which sounded kind of annoying, but doable (I hate going back to fix things when I’m almost done).  Something was bugging me, though.  The part of the waistband that was supposed to be attached to the underlap only had fabric hanging down from half of it.  That seemed weird.  So I went back and studied my pattern pieces.  And you know what?  The underlap pattern piece said “cut 1 ON FOLD“.  By not cutting on the fold, I had only half of the piece!  It was all my fault!  Rookie mistake.

Luckily, I had just enough fashion fabric and sheet fabric to cut the other half of my skirt piece plus a double seam allowance.  I unpicked my finished edge and waistband, attached the other half of the underlap and finished all my edges.  NOW I had a skirt that had an EXCELLENT and substantial underlap.  No more fear of wind gusts.  I hate fixing things, but it didn’t actually take that long, and it was completely worth it.

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Success!

I really like this skirt now!  It turned out cute and very comfortable.  I’m happy that I used my vintage find, and with the addition of some bike shorts underneath, I feel really good in this.

Attempted: Ankara (Wax Print) Maxi Skirt

This week’s project was an attempt to tick several boxes:  using some of my fabric stash, making a maxi skirt, and learning another method for adding side-seam pockets to garments.  I wanted a basic design–rectangles gathered into a waistband, but a waistband with an elastic back so it would be really comfortable.  This seemed like a brilliant way to use the last three yards of ankara (also known as wax print) fabric that I had bought a few years ago, but it also preserved the fabric in nearly whole form in case things didn’t work out, since it’s just large gathered rectangles.  (In case you are curious, I also made a shirt and a pair of shorts from this fabric.)

For my starting point, I used the Elastic Back Skirt Tutorial from Cashmerette.  I got this some time ago by signing up for their newsletter.  I also used the Ankara Skirt Tutorial from the KLKC Collections blog.  These tutorials were helpful in guiding me through what math I would need to get the result that I wanted, which was a waistband that looked flat in the front and was elastic in the back, with a finished height of two inches.  I made the flat front wrap slightly to the back before incorporating the elastic.  So far, so good. This wasn’t too difficult.

But I wanted pockets.  That’s where things got tricky.

I used the directions found in “The Low Profile Pocket” by Kathleen Cheetham in Threads magazine, issue #195 (Feb./Mar. 2018), p. 36-41 (the pocket pattern piece is available on the Threads website).  This article was excellent!

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I sewed my BEST in-seam pockets to date.

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However…

The article has you sew part of the pockets and the side seams together before attaching the waistband.  My skirt tutorials have you construct the front and back separately and then sew the side seams.  So I had a quandary.

I wanted to interface the front of my waistband and then fold it over, covering the seam allowance at the top of my gathered skirt so everything would look nice and neat.  I couldn’t quite figure out how to cover those seam allowances with all the other things I had to take into consideration.

What ensued was a lot of thinking about process, and adapting.  I was going to write it all out for you, but it’s a lot.

The end result is some good sewing and some ugly sewing.  One thing I’m really glad I thought about was how to keep the back elastic stretchy.  In order to do that, I sewed with a zigzag stitch while stretching my elastic, but choosing two-inch wide elastic and gathering 53″ of fabric per panel adds up to a lot of bulk.

I got it done in the end, but I’m going to have to wear this a bit to decide if I like it.

Here are the pros and cons.

Pro:

• nice, full, dramatic, long skirt
• having pockets that disappear beautifully (and trying a new technique!)
• general structure:  flat front, elastic back, pockets
• using a bunch of stash fabric in one fell swoop
• if I don’t like this, my fabric is still nearly whole and can be reused

Things that would have made this project easier:

• omitting the pockets or sewing different ones
• assembling the front and back separately (need to alter pocket directions or use a different method)

Things that could have been better:

• place the pockets lower
• make pocket opening wider (it’s a close fit to get my hands in and out)

Other options I could have used:

• narrower waistband, which would have allowed for narrower elastic
• elastic + zipper at the back and less gathered fabric to reduce bulk

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So, I like and don’t like this skirt.

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It’s really bulky at the waist, which I don’t love, but I love the drama of the big skirt and being able to see that much of the fabric at once.  I love the length that I can wear leggings under if necessary.  I do think that there is probably a nicer way to produce a comfortable maxi skirt with pockets (if you have pattern recommendations, please leave them in the comments!).  I feel mixed about this one.  We’ll see  how it fares over time or if I remake it.  If you have ever made a maxi skirt, feel free to share a link in the comments so I can see.  I’d like a good TNT maxi skirt and maxi dress pattern I can use over and over.

 

 

 

Refashion: Down Jacket Into Down Skirt…or…Struggle. Victory.

It was a grey and stormy day when I finally cut into a project I had long been contemplating.  It was a refashion, but not just any refashion.  This one involved sewing with a material I had never tried before:  a down jacket.  I had chosen the patterns that were going to help me achieve my goal and planned a little more than half of the project, but there were still questions in my mind about how I was going to finish the rest.  Inspiration images had been pinned to my Pinterest board, but still I mulled it over…until the snow day.  It was finally time.

I had already been scheming about refashioning a down jacket into a scarf after seeing these ones, which was the product of a collaboration between Patagonia and Alabama Chanin, but my down-sewing plans expanded when we visited Colorado last winter and I saw a woman wearing a down skirt.  It was such a brilliant idea.

Google revealed that down skirts are actually a thing, even though the Colorado one was the only one I had seen in real life.  So, after a ton of thought, I chose New Look 6843 for the skirt portion, and the waistband from the leggings in McCall’s 7261 for my stretchy waistband.  Since I wanted this to be a pull-on skirt, a waistband and some gores/gussets/godets in the side of the skirt were in order (after seeing the skirt, you can tell me which term is the right one for what I did 😉 ).

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I managed to turn the back skirt into a single piece and eliminate the zipper.  All of that fit onto the back of the coat, allowing me to use the bottom of the coat as my hem.  It got tricky when I came to the front because that was supposed to be one piece, too.  I really wanted to incorporate the coat zipper in a decorative way (although I planned to sew it shut), and I also wanted the pockets both for decorative and functional purposes, but in the end, it was too much of a struggle.  I realized that by opening my sleeves and sewing them together, I would have enough for my front piece.  I still had plenty of the stretchy fleece left from my Toaster Sweaters for my waistband and gores/gussets/godets.  Then it was all construction.

This is probably the point when you are asking how in the world I cut and sewed that crazy stuff.  That is a very important question.  Here is what I did:  I marked my cutting lines with a water-soluble pen and sewed with a straight stitch on either side of my cut line in the hopes that it would hold all the down in.

Do you think it worked?

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Well, it sort of did.  Not ALL of the down came out.  But some did.  Here’s how I had to sew.

You can’t see it in this picture, but I also had pink-eye (conjunctivitis) at the time.  Nice, huh?  (Luckily no down got in my eye.  That would have been…um…gross.)

I had the BRILLIANT idea of vacuuming off the edges after I cut them.  I do not recommend this.  Maybe you thought of the problem with this.  It actually dislodged things, so it was sort of like it was snowing outside and snowing inside.  That was the point at which I realized I really needed to get this finished that same day.  We had some sickness in our house that week, and I wasn’t feeling my best, but I decided to power through in the hopes that it was all in my head.  (It wasn’t all in my head, but I powered through anyway!)

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I also realized that I needed to cover every seam on the inside if I didn’t want to perpetually shed feathers.  This was the point where things got a little…”Becky-home-ecky” (sorry if your name is Becky).  The finishing, while functional and necessary, didn’t meet the vision I had in my head, but I was sort of racing against the down and my nausea.  The good news is, when I’m wearing it, I think it looks like something I could have bought at an outdoor store.  (If you disagree, you don’t have to tell me.)  It’s only if you get up close or look inside that you see the craziness, and since people don’t do that when I’m wearing it (thank goodness!), I think I’m safe.  Want to see it?  Check it out!

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This skirt has the added benefit of a little puffy booty enhancement up top.  It’s too high for people to think you pooped in your pants, so I like to think of it as booty enhancement.  Maybe it’s because I sewed all the darts in the skirt, even though I basically negated them with those side triangles.  I needed the triangles, though because if you’re going to eliminate the zipper, you need some way to get your skirt on!

Skirt front (above)

Skirt back (above)

Side view (above). I folded the front of the skirt down at the top a bit because it was originally higher in the front and lower in the back, but that feels weird to me.  I want it the other way around.

Inside front (above).  I covered my seams with fleece, but didn’t sew with a wide enough seam allowance, so I ended up sewing extra lines and hand-tacking things just to get all those feathery seams covered.  I also covered my top seams with wide fold-over-elastic (although I didn’t fold it), and used a zig-zag stitch to hold it down and allow for a little stretch at the waist.  That doesn’t look great, either, but again, you don’t really notice it that much when I’m wearing it, so whatever!

Inside back (above)

Inside side view (above).  Here’s where it started to get ugly, but I just wanted to finish at this point.  It was helpful to have the coat lining as a lining for my skirt because I could hand tack the fleece to it.

Despite any deficiencies in the finishing, I LOVE THIS SKIRT!!!!  When I wear it, I feel ready to take on winter!  The fit is great and it is so cozy that I wore it for two days straight after making it (and vacuuming my work room a.k.a. our living room…twice).  In January I made these fleece leggings and the Toaster Sweater that I’m wearing in this picture, and this outfit is pretty much winter perfection.  I love it so much.

After I finished, I contemplated making a scarf from the remnant of the jackets, but I decided to just put it away for now.  I DID NOT like sewing with all that down.  However…my husband had the brilliant idea to make a scarf from it in the summer…while sewing outside.  He’s so smart!

Recommendations

• On Wednesday I made the Blueberry Poppyseed Snacking Cake from the Seven Spoons cookbook, and now I just want to eat that all the time.  I know this would be unwise, so I gave the last piece away before I could eat it.
• I have some old gaiters from L.L. Bean that I just love.  They don’t sell the exact style I have anymore, so this is the closest I could find, but they are great if it’s snowy out and I don’t feel like putting snow pants on.  I can walk through several inches of snow without it getting in my shoes or on my pants.  I used them for a walk on Thursday, and it just reminded me of how much I love them.
• Is orange the new black?  Are doughnuts the new croissants?  Do you like to say that _____ is the new ______ ?  Then check out this fun and funny website, where each time you click, you get a new ‘this is the new that’.
• This week I found out that everything is better with doodles.  😉

The Refashioners 2016

It’s finally time to talk about The Refashioners 2016!

I’ve been waiting a long time to share my #jeanius project with you.

The Refashioners is a challenge created by Portia Lawrie of Makery that showcases creative ways to refashion whatever the chosen garment for that year’s challenge is.  If you’ve been following along, you already know that this year’s garment of choice is jeans (#jeanius!).  Check out what I made!

I’ve written about my creative process over on Makery, but if you want more details on working with the particular pattern I chose, Vogue 8750, you’ve come to the right place.

As soon as Portia sent us our brief for this year’s Refashioners challenge, the gears in my mind started turning.  My local big box fabric store was having a pattern sale, so I went down there with notebook and pencil in hand, sat down in front of the big pattern catalogue books, and started making list.  Lists and lists of patterns that I might be able to create out of different pairs of jeans.  I decided to look for something that had multiple narrow pieces so I could cut them out of jeans legs.  I finally settled on Vogue 8750, a skirt pattern.  I chose View A, which is the shorter (but not actually short) pencil skirt.  This looked like it had a lot of possibility for color-blocking, and I was hoping to find some super-cool denim at my local thrift store.

With the help of a pattern and all the inspiration on my then-secret Denim Pinterest board, I went to my thrift store looking to find some railroad denim or…something inspiring. (I have a little railroad denim obsession at the moment).  No railroad denim.  But I did find…THIS!  Yellow denim, white, denim with hearts, and my own older pairs of dark blue.  Now it was all coming together!

Last year’s Refashioner’s contest helped me make a move up from beginner to intermediate sewist. However, still not being super experienced, I don’t always make a muslin.  (Who am I kidding?  I skip it whenever I can.)  I know…I know…  It’s helpful, and I’m moving in that direction, but I’m not there for every project.  I actually DID make a practice garment for this one, though.  I made two, even!

The first showed me that I needed to size down.

A lot of people say they find this with Big 4 sewing patterns–I typically don’t, but in this case it was necessary, so it’s a good thing I made a muslin.  I used the second muslin to try lowering where the skirt sat on my hips and practice putting it all together a bit more.  The pattern tells you to ease the top of the skirt to the ribbon facing, but I had a lot of trouble with this and didn’t really want the skirt up at my natural waist.  I found that skipping the easing and just cutting a ribbon to match the top of the skirt solved both problems.

Muslins can also be a great way to procrastinate on cutting into your final fabric while appearing busy.  😉  I finally got up my courage, though, and found that I could easily fit my pattern pieces onto the jeans I had chosen (large men’s jeans for the white and yellow).  I tried out using one pair of children’s jeans for my middle panel, but had to backtrack when I saw that it just didn’t work.

The thing I wish I had done (and I’m still not sure how or why I didn’t after two practice garments) was think about how and when I was going to finish my seams.  I realized part way into my final draft that I really wanted to bind the edges of the seams with bias tape.  This is something best done as you go along and before you join various parts.  You can see a few places where my bias binding doesn’t go all the way to the edge of the seam.  Lesson learned.  I actually contemplated starting over when I realized that (plus, I was getting pretty good at making this pattern after a couple of versions), but it seemed to defeat the purpose of refashioning to throw an otherwise good garment-in-the-making out because of one little detail.

The other interesting thing I discovered was that sometimes, in matching up seamlines (namely on the sides), it wasn’t about moving the pieces up or down to get them to match, but making the seam allowances the correct width for them to match. One of my sides matched immediately, and the other took several passes through the machine, taking the side in millimeter by millimeter in order to get it to match.  The skirt in-progress looked messy and crazy, but as I got things lined up, trimmed and bound my seams, and finished edges, it came together into something that looked polished.

When I finally finished, I had a thing of beauty.  It’s certainly not perfect, but I’m proud of it.  I think the best compliment I got was when I was in Rockport, Massachusetts shooting pictures, and I stopped in an art gallery.  Rockport is famous for its artists, and one of the artists in the gallery complimented me on my outfit.  When a person who spends their life looking for beauty compliments you on your outfit, you know you’ve done something right!  😉

My favorite thing about this challenge is that it makes me think like an artist. You get your parameters, but within them you have freedom.  How far can you push it?  What will you do to make your garment distinctive?  Will it be simple and sleek or heavily embellished?  This is what I talk about in more depth in my post on the Makery blog.  If you haven’t already, I hope you check it out and look through all the other posts as well to get some inspiration.  What do you think?  Will you be diving in?  There’s a pretty tempting prize package!

Last, but never least, thank you to my photographers–my husband Scott and my friend Colleen.  I appreciate your help SO MUCH!

Rainbow Skirt: Simplicity 2215

Let’s pretend that Jackson Pollock was a finger-painter instead of a paint flinger.  Then, we can pretend he painted the fabric for my skirt.

This is not what happened since Jackson Pollock is no longer with us and I don’t think the little I know of his personality matches up with a rainbow skirt, but oh well.  Sometimes it’s fun to imagine things.

So how about a new skirt?  🙂  Here’s what I’ve got for you today.

After the beloved outfit I created to wear to my friend’s wedding in January, I decided that I really wanted to find a pattern that was similar to that skirt.  The original skirt has pockets, pleats, a waistband, and is just the right length.  I could teach myself how to copy or draft this, but I don’t want to!  Right now, I just want to sew.  I came up with a few contenders, but one of the most promising was Simplicity 2215, a Cynthia Rowley design.  I was able to get this pattern at a Jo-Ann’s pattern sale for a few bucks.  I love those pattern sales for building my pattern library (and I do think of it as a library!).

I decided to pair that pattern with some stretch twill that I got at Hancock Fabrics in Indiana last summer.  I kind of wish I had more of that fabric.  It would be great for a pencil skirt or some close-fitting pants AND it contains nearly every color of the rainbow in the hues that I like to wear.  It does NOT contain purple, but it just so happens that purple looks great with it!

The details (a.k.a. a good time to skim if you are not into sewing details):

I made a size 18 with no adjustments, and I made View C, the skirt.  (You can also use this pattern to make a sleeveless button down shirt or dress).

There is a note in the pattern that states that the pleats are uneven on purpose.  I was glad for that note, so I didn’t have to waste time wondering what was going on with them.  After cutting out the fabric, I took a long time to mark each pleat and even to draw in the arrows so that I would know which way to fold the fabric.  This was really helpful.

The only other necessary items beyond fabric that you need for this skirt are some interfacing, a little bit of lining fabric for the pockets (I think I used a scrap of handkerchief linen because I liked the white color), an invisible zipper, a hook closure, and thread.  I bought my zipper at Jo-Ann’s, but everything else was in my stash.  The one great thing that I have never had before but had this time was my new invisible zipper foot!  I got that at Marie’s Sewing Center in Woburn, MA, which is where my Mom got my sewing machine a bunch of years ago.  They gave me a 25% discount on the zipper foot!  🙂

After the cutting, which wasn’t hard, and the marking, which took awhile, the sewing was pretty easy.  I was nervous as I put in the zipper, hardly believing that the whole invisible thing would really work, but it did!  I was so happy!  One sort of odd thing (to me, at least), was that the zipper, rather than being in the back, is right next to one of the pockets.

I think I would prefer it in the back, but it’s not really a big deal.  The fit is very comfortable, but maybe on the slightly looser side.  The nice thing is that this allows it to sit a little bit below my natural waist, which I like, but I could potentially size down.  That’s a decision for another time, though.  I also added a little ribbon tag because I was afraid I would put the skirt on the wrong way otherwise!  😉

And that was it!  New skirt!  (I may not look excited in these pictures, but don’t worry, I am.  I was just under the weather on photo day.)

I realized at the end of last spring/summer that I didn’t have many skirts in my wardrobe for those seasons, so I’m very happy to add this one.  I can see wearing it with both my purple button-down, as pictured, and my pink and white gingham shirt (both Butterick 5526).  That last one will be some crazy pattern on pattern…which will be great!  I’d recommend this pattern to anyone who is interested in this type of skirt.  The other views in the pattern look pretty cool, too.

Now for some fun recommendations to enjoy over the weekend (or any time!):

• I know I’ve reviewed it before, but it’s still a favorite for me:  The King Arthur Flour Whole Grain Baking cookbook.  It doesn’t help you hide gross-tasting, “healthy” whole grains in your food…it has delicious recipes made with whole grains.  In fact, I have a Peach-Blueberry Cobbler in the oven right now!
• I just checked out Gertie’s Ultimate Dress Book by Gretchen Hirsch from my library.  It’s her newest book, and it looks really good so far.  Whether or not you are a big dress wearer, this book is full of amazing reference material.  I feel that this is a bit beyond my current sewing skills in an exciting way that makes me want to learn more.
• Spring!  Want to know my favorite source for really interesting seeds?  Baker Creek Heirloom Seeds.  I discovered them through a Martha Stewart Living magazine article years ago.  Their catalogue is one of the highlights of  my winter.  Sadly, this year, garden planning has gone by the wayside (Surprisingly, it is not actually possible to sew all the things, cook and bake all the things, forage for all the things, grow all the things, and decorate all the things plus be a phenomenal wife, mother, and friend!  Who knew?), but most years I order in January or February because it’s just so exciting to think about spring.
• As an American who wishes we had more bike paths, I find this video on Bicycle Rush Hour in Utrecht (Netherlands) really fascinating:

Happy weekend!

A Vintage Blanket Becomes a Skirt

Years ago some amazing sewing ladies who are my mother’s friends, gave me a vintage wool blanket (among other things).  They had a business repairing antique quilts, as well as upcycling quilts that couldn’t be repaired and turning them into handmade goods.  When they moved on to other things, they gave me some of their fabric and thread.  I didn’t sew much at the time, but being a creative person, they thought I might be able to use the things.

One of my favorite items was part of a woolen blanket with two sets of initials on it.  It was a winter white with two blue stripes and navy embroidery, and although I didn’t know its story, it seemed special.  I put it aside until just the right project presented itself.  It finally seemed that I had found the perfect use for it when I saw the Brumby Skirt by Megan Nielsen.  I knew it might not work…but I also knew it might.

That idea, that sort of razor’s edge between working or not working is what makes creative endeavors so exciting.  I love to try projects where I am more sure of the outcome.  I get a lot of satisfaction from them, but it really gets interesting when you ask the question, “Will it work?”  I think this is a question that some of the best art and the best fashion have at their heart.  Sometimes the outcome is terrible.  Sometimes it’s ok.  But sometimes it goes beyond what you imagined.

I don’t think this project reached the level of being beyond all I imagined, but the act of walking that line made the project exciting.  Could I create a skirt from this blanket?  Would it be too thick to sew?  Would it lay right?  I’ll tell you from the outset that I love this skirt.  It’s not perfect.  It doesn’t give me an enviable form or lack mistakes.  But I still say it works because some of my big goals in sewing are to create clothing that is unique and interesting.  (And I get to wear a blanket as a skirt in winter!  Always a worthwhile goal!)

So, let’s get into some details.  The skill that I hoped to learn in this project was how to create a lining, so I bought some Bemberg rayon lining from Joann’s and leaned heavily on the book Easy Guide to Sewing Linings by Connie Long.

Maggie from Pintuck & Purl helped me think through my process for creating the waistband, which included lining it with some fabric from my stash and omitting the interfacing.

I found a plain navy fabric in my stash for the inside of the pockets.  Since the edge of the blanket was already finished, I decided to omit the hem.  This also saved me fabric, since I had a limited amount of blanket to work with.  In order to do that, I marked the place I would have turned the fabric up to sew the hem and used that as the new bottom line for my skirt.  You can see it faintly below.

Like vintage fabric sometimes does, this blanket had some light stains.  I tried using a stain remover to get them out, but it didn’t work, so I did my best to cut around the ones I could.  The rest just had to remain.  I did run into a little bit of trouble while sewing in the zipper.  It wasn’t quite even at the top, but since this is for me, and I get to decide what I will and won’t fix, I just folded the extra over and sewed it down.  Problem solved.

I also decided to do a decorative topstitch above the seam that joins to waistband to the skirt, just to make sure everything was tacked down.

I wanted this done before winter was over, so I was pretty motivated to get it finished.  The days after I finished it were cold, so I could wear it right away!

I really like the skirt.  I don’t think it’s going to be the most flattering look, but I just love its interesting uniqueness.  My sister says I need a clever response when asked what the initials stand for.  Any ideas?  (Keep it clean!)

It’s really warm and comfortable and love all the different parts I incorporated–lining, colored pockets, and patterned waistband.  I deem it a sewing success.

I haven’t yet had a chance to blog a few of my other winter projects, but as far as sewing things goes, this was my last winter make.  I’m on to spring sewing.  I’ll still post the few made-in-winter projects I haven’t shown you yet, but this is the only garment that will probably be worn exclusively in the winter, so I wanted to blog it before spring came.

Recommendations (Yea!)

• As I come to love hand-sewing more, I find my interest in embroidery being renewed and growing, too.  In that vein, I’ve found some really fun embroidery artists.  An etsy shop I recently discovered is cozyblue handmade.  They have embroidery patterns, etc.  I’m a fan of the Sea Captain.
• If you listen to podcasts, I’ve just found a new one that I like:  The Seams podcast.  It’s about clothing and the stories connected to it. Jacki Lyden does a great job of interviewing a wide variety of people and looking at clothing from many angles.
• If you like to garden, but sometimes feel nervous because you don’t really know your plants’ intentions, you should watch “Indoor Gardening Tips from a Man Who’s Very Scared of Plants”.  Problem:  SOLVED!

Field Trip: Denver, Colorado

My latest field trip is way outside my normal stomping grounds!  Earlier this month, my husband and I took a trip to Denver, Colorado for a wedding.  We almost never get away just the two of us, and definitely not to far-away places, so this was a pretty big deal!  We had such a great time at the wedding and a lot of fun exploring Denver and the surrounding area.

Of course there was sewing involved.  I used the wedding as a chance to challenge myself to come up with a creative outfit.  In the end, I took apart a bridesmaid dress that I had in storage and turned it into a skirt (which involved a lot more work that I thought it would!).  I also made a button down shirt with a pattern that I had been planning to try out (Butterick 5526).  This included making a broad back adjustment to the pattern before I cut it out (hopefully more on that in a future blog post).  After that, it was all about finding great colors to finish things off.  Here’s my final ensemble:

I found the sweater on sale at J.Crew, and the earrings and bobby pin (which are harder so see, but they had gorgeous Swarovski crystals) on clearance at TJ Maxx.  I already had the tights, which was a good thing because white tights for women are harder to find that I thought!

Also…check out these shoes!

Thank you, Boden sale (and Christmas money!).  I had been saving up for some black heels, but in the end, the fancy shoes won out.

All of the colors together just made me so happy!  I love color!  This wasn’t anywhere near my original outfit ideas, but I’m so happy with how it all turned out.  It was so comfortable, and I know I’ll wear all the pieces again, both together and separately (actually, I’m wearing the shirt and earrings as I type).

The wedding and reception took place in a really cute barn outside of Denver.  The bride was gorgeous and everything was so beautiful.  Lots of our friends were there, and we all had a great time.

When we weren’t at the wedding, we explored the cute mountain town of Evergreen.  I have to recommend The Muddy Buck coffee shop if you are ever there.  I didn’t get any good pictures of it, but here are a few of Evergreen:

My friend and I kept saying we couldn’t believe it was a real town.  It was so cute.  We felt like we were at a theme park or something.  The only thing I didn’t like was the curvy mountain roads!  They were good highways, but they are so curvy and very dark when the sun is down.

I also got a good (luckily not first-hand) education while in Colorado:

After spending some time in more mountainous areas, we took a day to head into Denver and explore there.  The bride’s parents had given us a bunch of fun recommendations of things to try in the area, and one of them was the Denver Biscuit Co.  I highly recommend this one.

I ordered the DBC Club.  Delicious.

We also spent a little lot of time in Fancy Tiger Crafts!!!!

When I got there, it was even bigger better than I had imagined!

And, I must say, their sales staff is just lovely!  I admitted to one of the ladies that I was kind of freaking out inside with excitement.  She said she felt the same way for the first month when she started working there.  🙂  Everyone was very friendly and really helpful.

During this next paragraph, you should read between the lines that MY HUSBAND IS AWESOME.  I was in Fancy Tiger Crafts for 2.5 hours.  Yes.  It’s true.  There was JUST. SO. MUCH.  I couldn’t make a decision.  I knew I wanted a few crafty badges (like Girl Scout badges for crafters), and I decided to get Deer and Doe’s Datura Blouse pattern…but then I got stuck.  I had fabric money, but what to spend it on?  They say that beggars can’t be choosers, but I say that when you are on a budget, every purchase has to count.  I didn’t want to buy something I wouldn’t use or wear.  Choice overload.

It was at this point that my husband gently suggested that we might want to go over to the Denver Biscuit Co. (before they closed), get some lunch, and come back afterward.

It was just what I needed.  Food and a little time to think.  When we went back, I found four fabrics to make up two Datura Blouses and with some help on the yardage calculations from the lovely Jaime herself, I was out of there in 15 minutes.

Lesson learned.  Sometimes you need to take a step back when you get overwhelmed to give yourself time to think.

Want to see what I got?

I also picked up two knitting badges for some friends.  I’m hoping this loot will serve me well when summer sewing fever hits.

Believe it or not, we even had time to do a little more exploring after that!

Other fun highlights from the trip included pizza at Beau Jo’s in Idaho Springs and Evergreen, Tattered Cover Book Store, Revampt, and the mountains!

These pictures don’t even begin to do them justice.

It was a great trip and a real blessing to be at such a special wedding with so many friends.

Next time (hopefully):  the nitty gritty on sewing Butterick 5526.

The Brumby Skirt from Megan Nielsen Patterns

Today I’m happy to share with you one of my latest projects, the Brumby Skirt from Megan Nielsen Patterns!

I really went back and forth on this one before starting and did lots of “research” checking out others’ versions of it around the web.  I’m still not super sure if I like the high-waisted skirt look on me, but I thought I would give it one more try before deciding for certain, especially since I won this pattern in the Refashioners contest and had the perfect fabric for it–some linen from Pintuck & Purl!

 I made Version 1, the shortest version, in a large.  My original thought was to make it longer.  If I’m wearing a closer-fitting skirt, like a pencil skirt, I feel ok with this length because I can feel the skirt on the back of my legs and I know I’m not exposing myself.  In a fuller skirt, though, you can’t always feel the back of the skirt, which worries me at times…

So, I planned to make it closer to knee-length.  I had, however, read Lauren/Lladybird’s post on her Brumby skirt and remembered that she said she had been underwhelmed before hemming, but loved the skirt when it was the specified length.  Well, my experience was exactly the same.

I made it up but didn’t hem it, and it was very blah.  So, I decided to pin it up to the length in the pattern…and that’s when it happened.  I don’t know how she did it, but Megan Nielsen put some magic in this pattern.  When you hem it, it transforms!  I love it!

So, here are some details and design decisions I made.  Initially I was going to put in this gorgeous silver zipper that I bought at Pintuck & Purl, but I would have had to shorten it…and it was a metal zipper.  I know it’s possible, but not having ever tried this, I didn’t think I wanted to try it for the first time on a very fancy zipper.  I also thought about topstitching in silver (I was really getting wooed by that silver thread!), but in the end, I decided on black thread and a metal zipper with black tape (that I wouldn’t have to shorten).  I realized this would make the skirt more every-day in a good way (i.e. it will get worn more).  I’ll save my fancy zipper for a future project.

Back view with exposed zipper

Front view–it’s hard to see the topstitching, but it’s there!

 Things I wondered about before starting this project had to do with ease around the waist and the depth of the pockets.  Having only made the one high-waisted skirt (the apple skirt), I wasn’t sure how things would work out if the finished measurement was the same as my actual waist measurement.  I wondered this with the apple skirt, too, so I actually added a few inches to the waistband to be safe.  With this pattern, I decided to risk it and just made it as it was printed, and it worked out great!  It’s very comfortable and not too tight at all.

I noticed in my travels around the web that the pockets looked deep enough that they weren’t actually supporting anyone’s hands–which is the case.  It’s like your hands are straight down at your sides…but I still love those huge pockets.  I can keep things in them and you can’t even tell!

I did end up doing just a little topstitching at the edges of the pockets (which was an optional suggestion) so that they wouldn’t stand out as much, and that has been great.  I also managed to catch the bottom edge of the pockets in my hem on the inside, which tacks them down nicely.

As far as seam finishing goes, I just zigzagged in the seam allowance and then trimmed the seam with pinking shears.  This does lead to some strings and fraying after washing, but I think that will stop soon.  This fabric is a nice, substantial bottom weight, and French seams didn’t sound like fun on this one.

This was a fun and easy pattern.  I am sort of curious about how it would look in wool–I have a few pieces that were given to me.  With these cozy fleece-lined tights, I wore this skirt four out of seven days.  Yes–I totally do that, especially if I’m not going to see the same people every day, but don’t worry–there were some laundry days in there.  😉  I think this will be a great early fall, late spring, and summer skirt.  The more I see of Megan Nielsen’s company, the more impressed I am.

Before I go, I want to let you know that I updated my last post with a few more pictures of the inside of the shirt I made.  Go on over and check it out if you want to see more.  🙂

The Apple Picking Skirt

It was time for a crazy-sewing-lady skirt.  What came from this determination was “The Apple Picking Skirt”!

As I’ve sewn more and more, I’ve used awesomely patterned quilting cotton less and less, but let’s be honest:  quilting cotton has the MOST FUN prints!  So, I decided that I needed a skirt (or a dress or a…something) out of some really cool quilting cotton.  Who should step in the fill the gap but Melody Miller of Cotton + Steel and her super cool Picnic collection.

This was the project I chose after finishing my jacket for the Refashioners challenge.  I still had/have a few projects on my “big ‘ol batch of sewing” list (good name, right?), but I needed something quick and easy…and with only one or two new concepts to learn.  So, I checked out Gertie’s New Book for Better Sewing by Gretchen Hirst from my library for the billionth time (I really need to buy a copy!) and used her instructions to create a dirndl skirt, which is basically two rectangles sewn together with a rectangular waistband at the top.  I’d never made one of these types of skirts before, and I wanted to try it.  I also wanted to try using horsehair braid to make the hem stand away from my body.

And it was fun!  And easy!

So, let’s talk about a few details.  I ordered my fabric from fabric.com, and got my horsehair braid from Pintuck & Purl.  Maggie, the shop owner, gave me some information on using it, and between that and Gretchen’s book, I was golden.  I got the pink zipper at Joann’s, and in my button collection (a gift from my in-laws’ attic), I found the BEST button!  Check this out!

It’s a squirrel!  And it looks like it’s holding the apple!  Thanks, Mom!

This was certainly a project of details.  It’s such a simple skirt, that I had fun on those extras.  I’m really convinced that the things that make clothing special (besides quality construction and style lines) are fabric and details.  Even in the thrift store I use fabric as a guide, looking along the rows of clothing for stand-out fabric, and only then considering the garment.

Since I mentioned details, I have another favorite detail on this skirt–the tag!

I didn’t realize until the last time I was up at Pintuck & Purl and was talking to some of the other ladies at the Sip & Stitch night that Cotton + Steel always has cool selvedges.  This fabric had all the information about the designer and the line and all that, but it also had this cute little section that said, “I made something pretty for you!”  Well, selfish seamstress that I am, I changed “you” to “me”, and I sewed it to the back of my skirt.

Now is when fantasy clashes with reality.  Would I really wear this apple picking?  No.  But I did wear it to church, and it’s making the beginning of fall feel pretty fun (I was having a hard time letting go of summer after the last winter we had.).

While I was making this, I spotted Jenny’s cool skirt featuring fabric with a map of London on her blog, Cashmerette.  I felt we were thinking on the same wavelength, which I liked, since she’s pretty cool.

Now that all is said and done, I’m not sure this is my favorite silhouette on me, but I think I’m going to try at least one more high-waisted, gathered skirt (from a different pattern) before I decide for sure.  Sometimes new silhouettes just take a little getting used to.

So, what about you?  Do you try to go incognito with your sewing projects so everyone will think they are store-bought or do you like to stand out and embrace looking “homemade”?

Whatever you are sewing, I hope it makes you excited for the season ahead and drives you on to make more projects in the future!