Here’s a long overdue blog post–it’s my Easter outfit from April! I’ve been stalling a bit because this is going to be a long one, so buckle up! Hahaha.
After years of saving clothing inspiration via my camera, my brain, drawings, magazine clippings, and Pinterest, I’ve noticed that I like clothes and even decorative patterns that are outlined. Lots of outlining was even one of my failings in college drawing classes. I just like it. I finally started a “Fashion: Outlined” Pinterest board after noticing this preference in myself. Gucci has some of my favorite examples, but they’re certainly not alone. It’s also something I love in a Western shirt where the yoke is piped. I wanted a shirt dress of my own with outlining.
What better occasion than Easter? I had two colorways of a precious Rifle Paper Co. design in rayon that I had been saving for a dress where I could use both fabrics. With piping and trim to set off different sections and some black rayon to make a standout tie at the neck, this seemed like the right project. I’ve had limited experience applying piping (see my Western shirt), but I figured diving in was a great way to learn.
I chose McCall’s 7834, View D, sans slit, as my starting point.
I traced a size 20 for the bust, grading out to a 22 at waist and hip. I made sure to use a 70/10 Microtex needle and my walking foot for sewing. My original design plan?
*pink background fabric as my main fabric, with green background fabric as the contrast, and black rayon for my tie; contrast fabric would be used at button plackets, cuffs, and top and bottom skirt tiers (the bottom skirt tier could be left off if there was not enough fabric)
*black piping around my collar, sides of my top/visible buttonhole placket, and cuffs
*wider black velvet trim at the bottom of the bodice (if flexible enough to work with back bodice elastic), as well as at the bottom of the top two skirt tiers
*black dot buttons
Happily, most of these plans came to pass, more or less, although I did have to leave off the bottom tier due to lack of fabric, making the dress the length of View B.
I made a lot of little adjustments beyond my initial grading from one size to another. One of the most important: ADDING POCKETS! Of course, this was crucial. 🙂
I had some concerns about the width of the sleeve, so after a lot of deliberation, I swapped out the McCall’s sleeve for one from my current favorite dress pattern, Simplicity 8689.
I used the sleeve from Views B and D, which I had used before in my pink gauze dress. The length of the size 20 sleeve cap was similar to that of the size 22 sleeve cap from McCall’s 7834, although it was flatter.
Luckily the sleeve itself was wider, and I already knew that I liked it from the pink dress, although I did lengthen it by one inch. I also used the Simplicity cuff, splitting it in half and adding seam allowance so I could–you guessed it–add piping to the top and bottom. (Piping for everyone! Piping everywhere!)
This, helpfully, eliminated the need for four buttons, which meant I could use what I had in my stash without hunting down more.
Other fitting and design tweaks I made:
*added one inch of length to the bodice
*dropped the dart down 1 9/16″
*made an extra right button placket pattern piece so I would be able to pipe the top layer of my button plackets and make it in contrasting fabric (the original pattern has grown-on button plackets rather than separate plackets)
*added a one inch strip of interfacing to both button plackets
*added pockets about 21″ down from collar/shoulder
And behind all of this, imagine a million little decisions, choices, rabbit trails through books and the internet concerning techniques and the possible need for additional buttons, hand sewing of the backs of plackets, cuffs, and collar, and you begin to get a sense of the scope of this project. It was a big one.
After fitting and sewing, piping and deciding, I tried the dress on.
It didn’t look good.
I hated how it looked. The waist hit in the place I least wanted it, and it was so wide, it was sack-like (and not in a good way). It was bad.
So, I put it aside, and thought about it.
Hanging it up next to the aforementioned pink gauze Simplicity 8689 dress, I realized that the waist seam on the pink gauze one was about four inches higher.
Interesting.
I don’t like changing course once I get going, but I really wanted to love this dress. I decided it was time for some surgery, even though it was a scary prospect.
I took off the black velvet ribbon I had sewed to the waist and seam ripped the waist seam. Then I evened out the whole thing at my stitching line because after all the trimming I had done to the seam allowances, that was my best hope of getting a straight line. I also used my rotary cutter to even out the top of the skirt. My plan was to raise the waistline, but after pinning things in place, I came up with a new idea! Why not lengthen the top, and put a waistband onto the skirt so that it could be a set?
And that is what I did.
The placket, which I had painstakingly piped, posed a problem (alliteration!). I ended up using my dark background fabric to lengthen the top by 7 1/4″, and my light background fabric to lengthen the placket.
I had to pipe it separately from the original placket, and although I tried to cut down on the bulk at the join by pulling the inner cord out a bit and snipping it shorter before easing it back in and sewing things together, it’s not perfect.
And yet…I still really like it. To get the buttonholes in, I put tissue paper underneath my placket while sewing.
shirt without tie
And shirt with tie
Please note the MANY French seams–I wasn’t messing around! 😉
Success!
The skirt got an interfaced flat-front, elastic-back waistband in the black rayon I made the tie out of. I cut it so that the finished waistband would be two inches wide. The front was the length of my front waist, and I gathered the skirt into it.
skirt front
The back was the length of the ungathered back skirt, and was pulled in by elastic.
skirt back
Sewing this was as dicey as you might expect. Within the skirt, the stays I had added to finish the tiered seam remained intact, even though I had to remove all the original finishing at the waist seam.
stayed, gathered skirt tier seam–I had fun using seam binding from my stash
Separating the garment into two turned out to be a great idea, because my waistband could be wherever I wanted it, and it would always be comfortably gathered in. I absolutely LOVE the beautiful shirt and skirt that resulted from this drastic surgery, and I think I will get a lot more wear out of them this way.
While the contrast between my two fabrics was more subtle than I had imagined it would be, I ended up really liking it.
It’s like a visual surprise for the observant, and just the kind of detail that delights me when I am looking at clothes.
Worn together, this set looks just like the shirt dress I was originally going for, but as a set, it’s even more versatile!
A few of my modifications turned out to have been unnecessary. My darts seem slightly off and, really, in this drapey fabric and looser fit, they probably could have just been eliminated. However, the busy print and flowy fabric really hide that. I thought that lengthening my sleeves was unnecessary, but looking at the pictures now, I’m glad I did it. And I guess I didn’t need the original lengthening I did to the bodice…I just need to add a bunch of length is a contrasting fabric, although I certainly didn’t realize that when I started!
I used a number of really excellent and helpful resources for all the techniques I employed in making this set. In case you have questions about some of these things, here they are:
*How much positive ease do you need in a sleeve? Check out The Perfect Fit, p. 89 in the Singer Sewing Reference Library. If you end up needing to make a Full Upper Arm Adjustment, check p. 90. This book is great for all sorts of adjustments and can usually be bought secondhand for a few dollars.
*To figure out how long I wanted my bodice, I looked at p. 73 of the aforementioned book.
*To decide if I needed to move my dart, I looked in the book above as well as at “How to Change the Height of a Bust Dart” on the Cashmerette blog.
*To master the art of applying piping, I consulted my Reader’s Digest Complete Guide to Sewing (my favorite sewing reference book) and The Vogue Sewing Book, p. 205. Reader’s Digest, p. 153 was the most helpful of the two. It was, as always, excellent.
*To finish the seams of my skirt tiers (and initially my waist seam), I used the “Staying a Gathered Seam” section in the Reader’s Digest book, on p. 179.
And guess what? I finished my ensemble on the Saturday night before Easter, and wore it the next day!
The whole Easter outfit. I love that this print works with many, many colors!
I really like how it turned out. I’m proud of the work I did on this set. And…I’m even going to enter it in the Topsfield Fair this year. Here’s hoping I win! 🙂
Update
I entered this outfit in the Topsfield Fair and won a Third Place ribbon. 
After my phenomenal start last year winning Best in Show, I was a little bummed not to do better, even though I was happy that I had gotten a ribbon. One thing that was really helpful, however, was the feedback I got from the judges. They complimented my colorful skirt and said that I should take care to make sure my gathers are even, something I never even think about. It’s not something I care much about, but it’s absolutely something I should have thought about if entering in a competition like this, so that was really helpful. They said that my sleeves were set in very well, which was really nice. They also noted that my button plackets were not equal in length…and they were completely right! Oops! Not sure I noticed that. 
It was really helpful to get that feedback, and it made me realize that I can’t expect to coast just because there are not that many garment sewers around here. I really appreciated their compliments, and now I have some new things to keep an eye on if I want to strive for excellence. :)